Jewelry - 3 Silver Earrings

Since I found the lost wax surprises in the basement I have been dragging out all my jewelry supplies. I made 3 pairs of earrings today, I am rusty so the ear wires need to be replaced as they are not perfect. It is fun playing with this stuff. The earrings are made of sterling silver, freshwater pearls, garnets, glass and stone.

Shell - Plexiglass Drypoint

Here is my first attempt ever to use plexiglass as the plate medium for intaglio. I haven't finished printing this little edition yet. The plexi was really inexpensive, I got a big sheet at a hardware store and cut it to size.

Details:

• 5x7 inch plate
• Arches cover paper
• Daniel Smith inks & modifier

Fun to sit out on the deck and do, one good thing about plexi is that you can take it anywhere to work on it really.

New WIP - Intaglio Snail Print

I finally created enough of a hole in the mess in my art room to use the table and press. AND I actually went in and played, I talked myself into a 15 minute session and it expanded to a little bit more.

The intaglio snail print I worked on is a WIP, not finished yet. The lines in this are very fine so I need to play with the ink a bit more to get it just right. Ink used was Graphic Chemical oil-based "mud" old ink scrapings tossed into a big jar and mixed. I cover with water to store so no hard dried surface scum forms.

If you note the clips, my EZ-no-space drying system consists of 3 long curtain rods that are on the wall. I can put small pieces like this on one clip, or hold large pieces with multiple clips.

Gelatin Printmaking

When I first moved to my present home I didn't have my press available so underwent printmaking withdrawal.

I started using gelatin plates to make monoprints as I could do this in my kitchen.

Here are some tips:

• Use unflavored gelatin but double the amount of gelatin to water that the package states. You don't need anything but your palm to get good contact of the plate and paper.

• Although Nancy Marculewicz in Making Monoprints Using a Gelatin Plate uses various types of inks, I found that Speedball inexpensive inks with an extender work the best.

• The paper used for Scallops is I think Arches 88 which was the best of the stiffer papers for picking up the ink. Thinner, flexible but strong papers such as mulberry work well for gelatin plate printmaking.

Nautilus is another monoprint and as you can see you can combine gelatin printmaking with other methods such as xerox transfers. Both Scallops and Nautilus are examples of layering of inks, even with Speedball water based inks you can layer colors quite well. Because the ink dries fast you don't have to wait long to add another layer.

Clay Relief Etching - My History

The first clay relief etching I made and printed in 1997 in Linda Neely's workshop in CT is Trumpet Shell. Oil based Graphic Chemical (GC) inks are used, mixed with EZWipe. The plate is printed in color in a single printing. The intaglio is printed with burnt umber GC ink, the relief is a la poupee* with GC oil based inks. The same method was used on my second plate, also created during that first workshop. Scallops. Linda said this wouldn't print well as it had too much "architecture". The plate did print although it did crack under pressure of the press. I think that adds an old world flavor and I love this print. Some people believe that if prints are not identical these should be called monoprints. With new and different materials and printmaking methods the lines between what you call the method and how you number it are blurred. Hope you liked this, more to come in the future! * a la poupee means that the ink is applied to the surface of the etching plate prior to printing.